Sentence examples for perception of voices from inspiring English sources

Tinnitus as a phantom perception of a meaningless sound has to be differentiated from auditory hallucinations which mainly occur in the context of psychiatric diseases and are characterized by e.g. the perception of voices.

Conclusion: Upper airway oeprations can affect acoustics and perception of voice.

Perceptual judgments and patients' perception of voice and speech after concurrent chemoradiotherapy (CCRT) for advanced head and neck cancer.

Traditionally, measurement of users' perception of voice quality has been performed by expensive and time-consuming subjective listening tests.

The hypotheses were as follows: (1) there is a belief among athletes that voicing during high-effort tasks improves performance and (2) the use of the voice during high-effort tasks is correlated with the perception of voice impairment.

The study aimed to investigate the effects of age, gender, level of education, experience, and class level taught on the perception of voice handicap by Kuwaiti teachers using the Arabic version of the Voice Handicap Index (VHI-Arab).

The purpose of this study was to describe athlete belief of performance benefit when using voice during force production tasks and to determine if vocalization during effortful tasks was correlated to perception of voice impairment.

We designed the user study experiment for the examination of the following research hypothesis: H: The user perception of voice communication quality is correlated to his/her affective response, which will vary across networking conditions.

The effects of formant frequency and pitch on the perception of voice category were examined by constructing a perceptual study that used two sets of synthetic stimuli at various pitches throughout the female singing range.

Although there is a growing literature on the perception of body ownership, empirical evidence regarding the perception of voice ownership as a result of vocal motor output is lacking.

We were interested in exploring how participants would perceive the stranger voice feedback both when it was congruent with their own production and when it was not, as well as how participants' subjective perception of voice identity was related to the acoustics of their vocal production.