Sentence examples for perception of perspective from inspiring English sources

With the perception of perspective projections enabled, database entries currently considered distinct can be merged (Fig. 3).

For example, an array of radially expanding elements eliciting the illusory perception of perspective evokes an enlarged LNP, a negative deflection peaking around 200 ms [73].

In the perception of engineering perspective, these two methods are independent of each other.

The paper draws on Systemic Functional Linguistics to investigate how the Tai Dam perception of natural perspective, as it is manifested in Sen Huen ritual manuscripts, is construed grammatically by means of the transitivity system.

It follows that the veterinarians' perception of farmers' perspective as compared to the farmers' expectations were quite different.

The families of veterinarians' perception of farmers' perspectives explained 48%, 9%, 6% and 6% of variance for families Production, Animal welfare, Knowledge dissemination and Teamwork, respectively.

Informative names were identified by means of a qualitative analysis of the results, i.e. combining the idealized Q-sorts and the five most preferred statements from each family of veterinarians' perception of farmers' perspectives (not shown).

There's something of the shadow puppeteer in Don Paterson - reading his poems, you don't know what's real and what's illusion; they play with the reader's perceptions and sense of perspective, so that you aren't quite sure whether what you're looking at are the moving figures themselves or the backlit projection screen.

Moreover, perceptual experiments can be designed to ask which subdivisions of the system are responsible for particular visual abilities, such as figure/ground discrimination or perception of depth from perspective or relative movement--functions that might be difficult to deduce from single-cell response properties.

He added, "Time travel and displacement of time allow for displacement of perception and perspective".

All the works were made in 2008 and all continue the artist's trademark exploration of perspective and perception via distortion and reconfiguration.