Sentence examples for perception of form from inspiring English sources

The study of form must involve the study of our perception of form.

The fish are almost blind with respect to the perception of form and movement.

One recurring idea is that the operative feature determining our perception of form is "structure," the underlying, concealed formula according to which a work of art is constructed.

Similar cortical networks subtend visual and/or non-visual perception of form, space and movement, as well as action recognition, both in sighted and in congenitally blind individuals.

A considerable amount of work on this subject has been inspired by the theories of the Gestalt psychologists Max Wertheimer, Wolfgang Köhler, and Kurt Koffka, whose semiempirical, semiphilosophical researches into the perception of form and pattern seem to make direct contact with many of the more puzzling features of our experience of art.

In awarding him its Distinguished Scientific Contribution Award in 1983, the American Psychological Society cited Dr. Wallach's "innovative and sustained experimental research". His studies explained fundamental areas like the perception of form through motion and the organization of movement, the society's citation said.

Originally trained in Gestalt psychology, with its emphasis on the perception of forms as organized wholes, he was one of the first investigators to apply its principles to the study of art of all kinds.

Scientists working in this field have discovered general principles of the perception of forms.

The perception of form-filling based on past experience was also salient but carried negative leverage that could potentially be overcome through a clear understanding of the purpose of PROMs.

In addition to matching the formatting and administration of PROMs with the respondents' assistance requirements, clearly conveying the benefits of the tools to participants may foster their ability to complete them, and overcome the negative leverage carried by the negative perception of form-filling in general.

Creating sculpted installations and 3D paintings, the exhibited artists, German artist Volker Kühn and French artist René Galassi, draw upon a long tradition of working with paper to challenge established perceptions of form, line, and material.