Instead, he borrows JJ Gibson's notion that perception consists (not of drawing inferences but) of "picking up" information about what the distal environment "affords".
In general, perception consists in a sequence of acts that build up on one another to achieve unity of form.
Against this background, Linke maintains that perception consists of recognizing conceptual forms, but these, he argues, already lie in or structure the object of perception (Linke 1929, 169, 220f).
"[T]he enactive approach consists of two points: (1) perception consists in perceptually guided action; and (2) cognitive structures emerge from the recurrent sensorimotor patterns that enable action to be perceptually guided" (p. 173).
So the naive realist holds, in contrast to both the sense-datum theory and intentionalism (and, adverbialism), that the veridical experiences involved in genuine cases of perception consist, in their nature, of relations to ordinary objects (Level 1).
We are inspired by the following words from Varela et al. (1991), where they summarize the emergence of concepts from the development of sensorimotor skill: "[T]he enactive approach consists of two points: (1) perception consists in perceptually guided action; and (2) cognitive structures emerge from the recurrent sensorimotor patterns that enable action to be perceptually guided" (p. 173).
The dimensions to risk perception consist of knowledge; the probability of the risk and whether it is observable; sense of dread or fear from the risk; whether effects are immediate or delayed; and whether there are fatal consequences [ 42].
Its objects are perceptions, consisting of world elements, connotations, and a three-valued true, false, undefined predicative correspondence between them.
Democritus thought that the soul consists of smooth, round atoms and that perceptions consist of motions caused in the soul atoms by the atoms in the perceived thing.
Using exploratory and confirmatory factor analyses we found that users' perceptions consist of two main dimensions, which we termed "classical aesthetics" and "expressive aesthetics".
