Sentence examples for perceptible feature from inspiring English sources

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The most perceptible feature of this group is their prolonged dependence on mechanical ventilation (up to 7%to15%5% of intensive care unit (ICU) patients) [ 2]; however, chronic critical illness might be considered as a far more complex syndrome, characterized by physiological, metabolic, immunological, neuroendocrine and neuromuscular disturbances [ 1].

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His first sculpture in wood, The Prodigal Son, in 1914, was very close to abstraction; it is a piece of rudely carved oak with the scarcely perceptible features of a human being.

The combination of these perceptible features allows the creation of better representations of individual behavioral patterns.

Therefore, in our example, the two instances of preparation do not share surface features as there is no direct mapping between the perceptible features of a student studying for a law examination and a runner training for a marathon.

William speaks of the intellect as able, under the prompting of the senses, to consider the substances that underlie sensible accidents, and speaks of the intellect as "abstracting" from sense experience in the sense that it forms concepts of so-called "vague individuals" by stripping away perceptible features that serve to distinguish one individual from another.

Even though in the Coelestis physiognomonia he had declared astrology a vain discipline, Porta added an important qualification to this dismissal: astrology is an erroneous art, but only as long as divination from the stars is not based on the perceptible features of heavenly bodies.

But if we are to interpret Rodowick charitably, he could be implying that ontology at least partly determines appropriate appreciation; even if a digital photograph can look just like an analog photograph, its (known) digital status affects which of its perceptible features are aesthetically relevant and how we appropriately engage with them.

V: Homogeneous ground-glass-like appearance with no perceptible features.

It must be noticed, then, that this claim is all within a theory of perception and, while claiming that non-perceptible features are relevant to perception, hence are relevant to aesthetic experience, it does not claim that non-perceptible features as such are relevant to aesthetic experience.

Our most basic concepts, our most basic coping strategies, are those we employ incessantly in the course of purposeful voluntary bodily movement executed in response to sense-perceptible features of things in our immediate spatial vicinity.

Such bundling or grouping of audible features suggests that sounds are perceptible individuals to which these features are attributed.

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