Sentence examples for perceived outside of from inspiring English sources

Slumdog revolutionised the way films were being perceived outside of India".

Gates's current project is not so much an addendum to that work as it is a companion volume to it, a reaching out to encompass blackness as it was perceived outside of the United States.

"The mayor's inclusive message regarding gay and lesbian Americans is perceived outside of New York as being a national role model," said Patrick C. Guerriero, the executive director of the Log Cabin Republicans.

The most positive experiences for both groups corresponded to strong interpersonal relationships and educational value; most negative experiences to poor interpersonal relationships and issues perceived outside of the physician's control.

The materialiste identity reflects on the perceived outside influence of both the goods being sought after and the behaviors they may or may not be encouraging.

It used to be one of the sport's great sights but there are increasing signs of it being perceived outside New Zealand as an overblown pantomime-exhibit staged for self-serving reasons and, possibly, commercial advantage.

Also make sure you have a general appreciation of how research is perceived outside the lab, Bielak says.

In line with this explanation, a qualitative study of oncology consultations in which PROMs data were available found that doctors closed down discussions or did not offer treatment if the problem identified was not perceived as a problem for the patient or perceived as outside of the remit of the clinician.

40 41 Further support for this explanation comes from another qualitative study examining communication within oncology consultations which found that oncologists used a number of different strategies to close down the discussion of problems they perceived as outside of their remit to address.

The question raises a fundamental issue of consciousness: how much of what we perceive exists outside of us and how much is a product of our minds?

Mr. Eno is interested in any means of perceiving music outside of how it is normally consumed: we tend to look for controlled narrative, clear hooks and signposts and signifiers, and some sort of emotional path to learn more about its creator, whereas he likes to suppose that none of this matters.