Sentence examples for perceived distinction from inspiring English sources

More than 100 paintings, sculptures and textile works will challenge our perceived distinction between "high art" and the artefact.

If we are going to develop a successful education system, there should be no perceived distinction between the relative value of different educational pathways.

It derives from the simplistic but commonly perceived distinction between the two streams of contemporary British poetry: the serious and the pop.

Which is why comics, or comic actors, or character comics – or whatever you wanna call them – often, for me, get closer to the essence of theatre than theatre (not that I see any hierarchy or even anything except a perceived distinction).

The perceived distinction between two points was the most widely used method for damage assessment before the development of SEP [10], but it has the disadvantage of low reproducibility, with results varying depending on the patient's general condition, emotional state, and environment.

We find that the distribution of ranks from all respondents is such that we can conclude with statistical confidence that there are perceived distinctions between the relative merits of the 7 action items.

He maintains that perceived distinctions are largely a function of age.

In the videos the natural motions of the flowers merge and erupt with the colors, backgrounds, and forms to create a surreal but spellbinding blend of movement, style, and content muddying the perceived distinctions in a nod to how we recall and recount reality.

"However, Webster defines discrimination as 'the ability to perceive distinctions; perception; discernment.' Now then, don't we all discriminate?

This may suggest that one or a few loci have strong effect, producing the perceived blue/brown distinction, with additional genetic or environmental modifiers generating a continuous spectrum between these extremes.

It connects not only with the abstract and didactic pieces at Erben, but also with two of the most striking entries at the New Museum, the yogalike photographs titled "Food for the Spirit" (1971) and the witty dance video "Funk Lessons" (1983), an energetic, "Soul Train -style demonstration that at least some perceived racial distinctions are learned, and learnable, behavior.