Sentence examples for patterns of colour from inspiring English sources

Different feathers have different patterns of colour, suggesting that Cretaceous dinosaurs flying or otherwise used their feathers for display.

These, in turn, are enlivened with brightly coloured, elliptical acrylic lozenges that twist and turn gently with the wind, casting ever-changing patterns of colour and shadow across the floor of the nursery when the sun shines.

The work is set to Beethoven's "Ghost" Trio in D Major, and the decor is equally traditional, the stage lit by gently shifting patterns of colour, the dancers dressed in elegant burgundy and cream.

The works of these two painters, together with those of Diego Velázquez, revealed to Porter that nature could be transcribed by means of rich brushwork and interlocking patterns of colour, thereby making the ordinary extraordinary.

Other members took different directions: Prendergast utilized the decorative patterns of colour he found in the work of the French Nabi group in his translations of the American landscape; Davies painted dreamy, twilight scenes evolved from lyrical allegories rather than from contemporary life; Lawson adopted a style that was lyrically atmospheric.

His later murals, the Beethoven Frieze (1902) and the murals (1909 11) in the dining room of the Stoclet House in Brussels, are characterized by precisely linear drawing and the bold and arbitrary use of flat, decorative patterns of colour and gold leaf.

Eventually, your eyes glaze over, innocent victims of a full-frontal assault by too many slides, too much information, too little personality and bizarre patterns of colours reminiscent of a bad LSD trip circa 1968.

For example, losing certain patterns of colours can bring definite advantages to escape predators, such as the stripes of the African ancestor of zebras and horses.

In The Wilmington Giant (1939), for instance, unmistakably a scene from deep England, the South Downs appear as a pattern of colour blocks and curves – the paint striated, in places barely applied – and the chalk figure itself is framed by dark fence posts and an axis of barbed wire.

After 1856 Rossetti was led by Sir Thomas Malory's Morte Darthur and Alfred, Lord Tennyson's Idylls of the King to evoke in his paintings an imaginary Arthurian epoch, with heraldic glow and pattern of colour and medieval accessories of armour and dress.

No. 2693 were used for present investigation to delineate the inheritance pattern of colour trait in aleurone layer using chemical tests, respectively.