Sentence examples for pattern of tone from inspiring English sources

Its pattern of tone spelling was retained in the standard spelling of the Chinese province of Shaanxi (shǎnxī), which cannot be distinguished from Shanxi (shānxī) when written in pinyin without diacritics.

Frequency domain parameters demonstrated inverted pattern of tone intensity for both branches of the autonomic system during day and night periods in both groups.

Tone bursts were either 50 ms or 200 ms in duration (inter-stimulus interval 50 ms) and were alternated in pseudo-randomized order during the 2 s block, resulting in a rhythmic pattern of tone onsets.

Easter weekend provided two examples of what has become a pattern of tone-deafness in the hierarchy: The pope's own preacher delivered a Good Friday sermon in St. Peter's Basilica comparing criticism of the church's handling of the sexual abuse crisis to anti-Semitism, offending abuse victims and Jews.

Each possible chord type corresponds to specific pattern of tones.

Jintishi poetry, or regulated verse, is in the form of eight-line stanzas or seven characters per line with a fixed pattern of tones that required the second and third couplets to be antithetical (although the antithesis is often lost in translation to other languages).

Most (9/10) single subjects clearly displayed a topographical mapping pattern of tone-preference shift from high-frequency tones to low-frequency tones and back along the superior temporal plane with Heschl's gyrus (HG) located within this mirror-symmetric large scale organization.

During the study period, there were no differences in either cutaneous reactive hyperaemia or the oscillatory pattern of vascular tone between groups.

A pattern of musical tones may occasionally acquire a meaning (the first four tones of Beethoven's Fifth Symphony were used to symbolize victory in World War II), but when this happens it really has very little to do with the music, and in any case most music is appreciated without any such symbolism being present.

The first notes — an oscillating pattern of whole-tone intervals in the cellos, basses, and bassoons, starting loud and precipitately fading toward silence — are typical of the composer's language: the harmony is ambiguous but not dissonant, and before long the solo cello is tracing a melody around a familiar chord known the world over as "Tristan".

As early as 1922 the critic John Taylor Boyd Jr. noted that in Starrett & Van Vleck's midtown office buildings "wall surfaces and windows tend to merge in a broad pattern of tiny tones... commingled as in a tapestry," creating a "unity and consistency of design".