Sentence examples for passive shape from inspiring English sources

This paper introduces a purely passive shape adaptation mechanism for applications in lift generating structures, such as wings.

The writers' decisions about how to construct sentences, about what the subject of the sentence will be, about whether the verb will be active or passive, shape the message that slavery was not all that bad.

The study demonstrates the possibility of creating functionality exploiting elastic instabilities, resulting in a novel passive shape adaptation mechanism for simple composite structures.

Later, the combined effects of semi-passive piezoelectric control and passive shape memory alloy springs on the post-critical behavior of the system are discussed in details.

This has been shown to be under the control of either active or passive shaping of the SDV by cellular organelles and the cytoskeleton [6].

Proceeding from the well-known passive, power shaping output we propose a nonlinear static state-feedback that preserves passivity of this output but with a new storage function.

Richard Linklater's magnum opus follows Mason (Ellar Coltrane) over the course of 12 years, from age six to 18. Mason is an observer, a hazy, passive character shaped by the people around him and his experiences that unfold in a series of vignettes, all the small moments that comprise a life.

In summary, the 3D reconstruction of VPM axon and dendrite innervation domains is likely to provide an anatomical basis for the time dependent early (8 40 ms after passive touch) shapes of PSP-RF of excitatory cell types in a column.

This paper describes the theoretical study, the design, and the characterization of a novel shape passive balun.

In the present paper the role of mass transport, current distribution and passive films for shape control and surface smoothing is discussed and illustrated with examples.

They were engaged with a design approach that no longer conceives of material as a passive receptor of shape – as is still emblematic for most current attempts at digital design – but rather as an active generator of form, space and structure that enables the uncovering of novel, performative capacities and hitherto unexplored architectural possibilities.