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There were passages where the tenor's voice rang out with its familiar ping and dusky beauty.
His songs were highly controlled, including passages where time itself seemed to hover in suspension.
There are passages where Milanov's lustrous voice and regal phrasing are remarkable.
Phelps-Roper increasingly found herself turning to Bible passages where tragedy is not met with joy.
This is particularly true in the passages where the narration shifts to the first person.
Fewer, alas, are the passages where perception and thought find cadence, and cadence creates poetic occasion.
The highlights are ensemble passages where dancers splay in formation like scattered iron filings.
He plowed familiar ground at first, citing Bible passages where the "rod of iron" was used to smite evildoers.
Yet, the lines keep slipping into fractured, volatile passages where not just words, but single syllables are obsessively repeated.
There are passages where we see Mick through the eyes of others: a London office worker or hostel volunteers.
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Owing to increasing traffic and the need for constructing second tunnel tubes including corresponding cross-passages, where only one tube existed thus far, sampling of tunnel-lining materials with an age of 30 40 years has been made possible.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com