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Long passages, for example, have no punctuation.
Passages for wildlife are integrated into the fields.
In the pharynx the passages for air and food cross.
There are at least three passages for three couples.
Maybe she wrote these passages for herself, just to record the sensations that mattered to her.
Another famous Tuscan son, Mascagni, created similarly lyrical passages for his Cavalliera Rusticana.
A local composer wrote a work with Christian, Jewish and Muslim passages for pupils to sing.
The third movement is like a rustic scherzo with pungent passages for winds.
Readers can check out these passages for themselves to decide whether I mischaracterize them or not.
The second and fourth movements include extended solo passages for violin, cello and flute.
(Emmanuel Pahud and Tabea Zimmermann drop in to perform the very brief optional passages for flute and viola).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com