Sentence examples for partial portrait from inspiring English sources

The Carter Center, which had about 30 observers to monitor 150 voting districts, said its findings reflected only a partial portrait of the process.

Trade bad Latin American debt for bad mortgage debt, and you have a partial portrait of Citigroup at the height of the housing bubble.

Though Apuleius's novel is fiction, it contains a few definitely autobiographical details, and its hero has been seen as a partial portrait of its author.

For everyone else, this film provides the affecting, partial portrait -- you might even say the self-portrait -- of a talented young man (he was 25 when he died) whose fate was to be misunderstood, perhaps most tragically by himself (Scott).

For everyone else, this film provides an affecting, partial portrait -- you might even say the self-portrait -- of a talented young man (he was 25 when he died) whose fate was to be misunderstood, perhaps most tragically by himself.

About a third of the way through "The Center Will Not Hold," Griffin Dunne's intimate, affectionate, and partial portrait of his aunt Joan Didion, which premières on Netflix this week, a riveting moment occurs.

There's a resentfully uprooted teen-age Londoner in "The Casual Vacancy," and Rowling volunteered that this is a partial self-portrait.

That late-twenties moment is still vivid to Baumbach, and part of the charm of "Frances Ha" has to do with the way it combines, in one character, a partial self-portrait of two writers, from two generations.

While he details Leonardo's main artistic works, and essays a novel interpretation of the "Mona Lisa" as a partial self-portrait, this is not the book for anyone who is curious about Leonardo's innovative use of perspective or color.

She had also tried her hand at novels and may well have written a partial self-portrait in Mrs Frampton, about an overweight, middle-aged woman who becomes virtually invisible.

What is the nature of the aesthetic relationship – to frame the question more tightly – between a partial self-portrait of the photographer (identified only by the anonymous blur of his blue jacket) and the Christ-like self-portrait of Dürer he is contemplating in that modern, secular place of worship, the art gallery?