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Some of this feminist and gender-parity-consciousness is addressed in works like Ms. Antin's "Representational Painting" (1971), in which she applies makeup to her own face, and Mr. Acconci's narcissistic "Centers" (1971), in which he gazes into and points directly at the video camera (a bit like the famous mirror scene with Robert De Niro's unstable character in the 1976 film "Taxi Driver").
The problem with the black, gay and feminist movements – which all had their roots in Marxist thought, espousing ideas based on social parity and class consciousness – is that they're getting exactly what they wished for: a place at the dinner table.
Parity restored.
Parity ruled.
Parity rules.
"Human consciousness".
Parity is one thing.
Is that parity?
Parity becomes parody.
With parity comes mediocrity.
One effect of parity?
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