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The amount the hotel chain saved Paramount was, appropriately enough, paramount: it waived location fees at properties and cleared blocks of rooms.
Looking back, Coppola was right, and Paramount was right.
The Paramount was not the city's only ballroom.
Paramount was completely outside my understanding of LA.
It just seemed like, at that time, Paramount was a better fit for us.
Likewise, Paramount was indifferent to Linson's notion of going after Mamet to write "The Untouchables".
Paramount was rumoured to have received $50m and DreamWorks $100m for making the switch.
At the same time Paramount was also borrowing a page from the exploitation cinema handbook.
"The Lovely Bones" (Paramount) was fifth with about $8.8 million $31.6 millionn total).
Leisen's last film for Paramount was Darling, How Could You! (1951).
For a woman to be design director for Paramount was something amazing at that time.
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