Though Paramount made some elegant comedies in the "Continental" style, many of the best Paramount pictures were like revues — which was pretty much the style of the Broadway theatre they'd come out of, and was what I liked about them.
Paramount made it into the movie "She Done Him Wrong," a huge box-office hit.
Still, Paramount made a strong showing at the box office, releasing two Academy Award-nominated films in the quarter, "The Fighter" and "True Grit".
In the face of all that, Paramount made what many saw as a clumsy attempt to position "True Grit" as part of the revolution.
Paramount made a lot of noise about its plan to re-release a longer cut of its Will Ferrell comedy but it hasn't been a success.
Paramount made a hit of "Paranormal Activity" by using unconventional marketing tactics, including a Web campaign urging fans to "demand" the film before it was shown.
The following year, Paramount made a series of recordings by Eddie ("Son") House, whose music failed to find a large audience at the time but exerted a powerful influence on later blues performers, notably Robert Johnson and Muddy Waters.
In 1939 Paramount made him a full-time director, and his early B-films for the studio included Television Spy (1939) with Anthony Quinn, Golden Gloves (1940), and Mystery Sea Raider (1940).
On the other, Paramount made it clear that this was a "spiritual successor", not a sequel, to Cloverfield, that the film had been repurposed from a kidnap thriller screenplay called The Cellar, and was achieved with a lower production cost than its predecessor.
Paramount made a boo boo last night.
