Sentence examples for parallel character from inspiring English sources

In case of a dark text on a light background the gradient assumption is true, since search rays always bump into the parallel character strokes.

These commonalities include: specific characterisation; the development of internally consistent, plausible plots that parallel character development; the construction of plot sequences; and emotional engagement by the writers, who themselves undergo processes of struggle, learning and increased awareness.

In the books, however, there's a parallel character called Coldhands ― and he has a bigger part to play in the story. .

At molecular loci with significant rate variation across lineages, convergent or parallel character state changes tend to accumulate along the lineages with faster substitution rates, thereby obscuring actual signal and reducing the phylogenetic utility of these loci.

Like Mr. Stoppard's other plays "Rock 'n' Roll" is full of pairings and balances: parallel characters, contrasted events, dialectics.

Spacey dominates American Beauty with such a pointed, rigorous intensity that it's fitting that the film as a whole should parallel his character so closely.

Even if there are brief sections where the staging feels overcomplicated by the parallel settings, characters and plots of the original, Bruce and his extraordinarily gifted dancers and design team navigate the material with near-hallucinatory dexterity.

The contemporary tales come to parallel the characters' woes: where Euripides' women are being forced into slavery, their present-day counterparts, one each from Kenya and Afghanistan and two from Zimbabwe, are struggling against equally cruel circumstances involving rape, interrogation and imprisonment.

Armando Iannucci, the creator of "Veep," said in a phone interview that, despite some obvious recent historical parallels, the character was not based on anyone who has actually held, sought or might seek the vice presidency.

Moreover, the phylogenetic signal may be low in the gene-content subtrees because of insufficient number of characters and parallel loss of characters, and in sequence family trees because of rapid sequence evolution and/or mutational saturation.

The chapters alternate as these trajectories converge; there are subtle parallels between characters as they race through autumn, winter and spring, past occasional narrative cul-de-sacs, towards the glimmering possibility of redemption.