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From the successfully fitted model, the contributions to variation are quantified in terms of the reduction in total variation (R-squared) that is assignable to each effect; interactions are represented in terms of the covariances between each pair of effects.
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For Bayesian posterior distributions, the AUC provides the probability that, given that treatment A is truly more effective than treatment B and we randomly select a pair of effect estimates for treatment A and treatment B, A proves better than B. Figure 2 shows the ROC curve and the AUC for the fictitious example.
These include variance based sensitivity measures that quantify the relative contribution to the total output variance due to variation in single inputs (main effects) and additional contributions to this variance due to variations in pairs of effects (interaction effects).
To compare the magnitude (slope of regression) of atrazine's exposure, post-exposure, carryover, and net effects, we examined all pairwise comparisons of these four effects using the general linear model, treating pairs of effects as repeated measures variables (i.e., we compared these effects within aquaria/terraria).
Snyder parses the difference between the two superheroes with an inspired pair of special effects.
Three pairs of epistatic effects were identified between two loci with or without additive effects and accounted for 1.19 4.26% of the phenotypic variance.
For experiments involving multiple treatments, we tested simultaneous differences between pairs of treatment effects (Tukey's all-pair comparisons) [ 23].
Using a similar docking approach, Wallach et al. (2010) searched for correlated pairs of side effects and biological pathways.
We used an approach that evaluates the average semantic similarity between all best matching pairs of side effects and symptoms, thus avoiding the bias towards drugs and diseases with many phenotypic features on the highest ranking drug-disease pairs.
The scene, done with simple but startling special effects, is both a photographic marvel and a grand, moving dance that yields up a pair of shots, without effects and in bare natural light, that evoke, powerfully and gloriously, a moment of harmony with nature and a link of the mere and modest individual to the universe.
But every time Amy and her crew -- which includes a lesbian sound technician (Eva Mendes), a womanizing director of photography (Marco Hofschneider) and a pair of nerdy special-effects wizards (Anthony Anderson and Michael Bacall) -- try to film a murder, a real killing occurs somewhere nearby.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com