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He went out and promoted his paintings, taking every chance to exhibit them.
These are remarkable works, but so are his recent paintings, taking stark black-and-white purism to new extremes.
Working in pairs, they should discuss the two works and write down observations about the paintings — taking particular note of what makes them similar and different.
But no one else has bought up a load of his paintings, taking them out of the public eye to use as "scientific" evidence, or spent more than a decade trying to put him, posthumously, in the noose.
In the overwhelmingly large tidal wave of new media art, with digital gallery shows and virtual reality paintings taking center stage, some of the more traditional forms of fine art, it seems, are struggling to stay relevant.
The overall effect is lovely, and in particular, we love seeing the blurry limbs and ghostly figures of the people creating the light paintings taking form in the background for a brief moment before dissolving into the darkness like a foggy apparition you're not even sure you saw.
Similar(54)
The idea of using the same figures over and over again in his paintings took hold.
An infamous early 20th-century faker such as Hans van Meegeren wanted his paintings taken for Vermeers.
(Mr. Kelly's recent, layered relief paintings take this idea a step further).
Although the project died, the "Peak" paintings took on a fantastic afterlife.
Creating the historical scenario that links the making of these two paintings takes some deft inference.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com