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Of the 11 paintings presented for scrutiny, three turned out to be fakes.
There is little topographical detail and no sign of human presence in the small oil-on-board paintings presented here, but there's a mood that darkly endures.
Rob Deemer's "Grand Dragon," excerpted from a string quartet inspired by a series of paintings, presented a merry Ivesian entanglement of folk themes, and Mr. Biggs's "Steal Away" also from a longer work, ruminated eloquently on the spiritual by that name.
The paintings presented here offer a representative sample of the problems posed by the reconstruction of Bles' activity.
This trend in the composition of glass in paintings, presented already as a tentative hypothesis in 2012 [8], is strengthened considerably by the results added here from sixteenth-century paintings (Table 1), which include four occurrences of high lime low alkali glass.
For Friel, the minimalist visuals which she described as like "a series of paintings"—presented a particular acting challenge.
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But paintings present their own evidence.
Most paintings present awkward confrontations between two figures, each wrapped in his own melancholy isolation.
Made with a fine, sensuous touch on long horizontal panels, Mr. Sullivan's paintings present panoramic views of fantastic primeval landscapes.
All five paintings present the same character in the same setting, and from the same point of view.
All the paintings present us with images of one sort or another: paintings made directly from life and invented scenes; the direct, the contrived and the imagined.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com