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These three paintings alone merit a visit to the show.
But will seeing these paintings, and these paintings alone, encourage us to reconsider Lowry?
The photographs and paintings alone are worth a visit, like the otherworldly depiction of Northern Dancer, the greatest sire of all time.
The paintings alone are a collective tour de force, including European treasures like a pair of incisive portraits of an elderly Dutch couple by Frans Hals (1643); Manet's sexy "Young Woman Reclining in Spanish Costume" (1862), in which she appears in toreador drag; van Gogh's "Night Cafe" (1888), a seedy hangout blazing with intense color; and Kandinsky's lovely Cubist-Fauveish "Waterfall" (1909).
It is possible that other visitors to this show, like me, have spent more time looking at Hudson River-area paintings — alone, in galleries, and with keen attention — than we have outdoors surveying the real thing, but my guess is that the artist nailed the view.
Since many of Van Gogh's contemporaries used similar tube paints, or even purchased their paints from the same supplier as Van Gogh did, this application is however not confined to Van Gogh's paintings alone.
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'Seeing these paintings standing alone may have a very different effect on the audience,' she says.
What the show rarely does is give you the feeling that paintings, let alone performances, are made by bodies.
It is impossible to look at these paintings, let alone the series of more haunting "Gazes," without being struck by Schoenberg's positive obsession with eyes.
(Some of the manufacturers claim, rather ridiculously, that their cameras have light sensitivity up to ISO 3200 or even 6400. But the results are blotchy messes that barely qualify as Seurat paintings, let alone photographs).
Versions of this vertical line appear again and again in Newman's paintings, sometimes alone as in his 1946 work Moment in Tate Modern, sometimes in a series of vertical parallels, like mappings of energy pulses or avant garde musical notation – witness his masterpiece Vir Heroicus Sublimis which hangs in New York's Museum of Modern Art.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com