Sentence examples for painting practices from inspiring English sources

Exact(9)

Two other artists, Dan Rizzie and Frank Wimberley, made selections that complement their fairly traditional painting practices.

Fortunately, whatever the future of paint may hold is likely to be cleaner and more environmentally friendly than the painting practices of years past.

He discusses the wider context of the 1980s art world, in which a renewed attention to painting practices met the legacy of Pop and appropriation art setting the stage for the negative critical reception Koons's artwork first received.

Though departing from my earlier work on Renaissance full-scale drawings and painting practices, this research project on Raphael and his workshop is at its very beginnings and will likely lead to an exhibition at The Metropolitan Museum in a few years.

In conjunction with an analysis of an array of painting practices, she has carried out a series of critical readings in the art-writing of the 17th and 18th centuries, a literature that shows an astounding and to a certain extent forgotten sensitivity for painterly phenomena.

The warped images of Ho are meant to nod towards the aggressive painting practices of actionist painters like Jackson Pollock and Willem de Kooning.

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Similar(51)

In his painting practice, Mr. Yawney also juxtaposes unlikely images; he likens the disjunction to the language in a poem.

Thus, Japanese artists internalized centuries of painting practice and created their own interpretations of an imagined China.

Carl Ostendarp pursues a painting practice which has had a significant impact on the continuing development of pictorial abstraction.

When asked about her experience at the Neiman Center, she wrote, "Working in such a porous way with my signs opened up possibilities in my painting practice...

Tachism, French Tachisme, (from tache, "spot"), style of painting practiced in Paris after World War II and through the 1950s that, like its American equivalent, Action painting, featured the intuitive, spontaneous gesture of the artist's brushstroke.

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