Sentence examples for painting practice from inspiring English sources

"painting practice" is an acceptable phrase in written English.
It could be used to refer to a practice or rehearsal of painting techniques or skills, such as: "I need to put in some painting practice before I do my mural."

Exact(33)

In his painting practice, Mr. Yawney also juxtaposes unlikely images; he likens the disjunction to the language in a poem.

Thus, Japanese artists internalized centuries of painting practice and created their own interpretations of an imagined China.

Carl Ostendarp pursues a painting practice which has had a significant impact on the continuing development of pictorial abstraction.

When asked about her experience at the Neiman Center, she wrote, "Working in such a porous way with my signs opened up possibilities in my painting practice...

Bingham says that "in her expanded painting practice, Gallagher questions what it is to be a modern subject, examining the centrality of race in the formation of the modern world, alongside simultaneous developments in modernist abstraction".

In this advanced course, students develop their own individual painting practice through experimentation, risk taking, and rigorous evaluation of the interwoven questions of material and content in their work.

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Similar(27)

Two other artists, Dan Rizzie and Frank Wimberley, made selections that complement their fairly traditional painting practices.

Fortunately, whatever the future of paint may hold is likely to be cleaner and more environmentally friendly than the painting practices of years past.

Tachism, French Tachisme, (from tache, "spot"), style of painting practiced in Paris after World War II and through the 1950s that, like its American equivalent, Action painting, featured the intuitive, spontaneous gesture of the artist's brushstroke.

Though departing from my earlier work on Renaissance full-scale drawings and painting practices, this research project on Raphael and his workshop is at its very beginnings and will likely lead to an exhibition at The Metropolitan Museum in a few years.

He discusses the wider context of the 1980s art world, in which a renewed attention to painting practices met the legacy of Pop and appropriation art setting the stage for the negative critical reception Koons's artwork first received.

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