Sentence examples for painting perspective from inspiring English sources

Exact(3)

He was clearly aware of the latest developments in painting, perspective and art theory, and drew on various sources of inspiration in central Italy, especially in Le Marche, where Piero della Francesca was a major presence.

At first, an illusion of depth was achieved by painting perspective scenery on canvas; then the ground plan of the set was rearranged to envelop the actor with the set.

Among the rare manuscripts and codices also on display are Piero della Francesca's "De Prospectiva Pingendi" (On Painting Perspective), Francesco di Giorgio Martini's "Treatise on Civil and Military Architecture" and Federico da Montefeltro's illuminated codex of Alberti's "De re aedificatoria," the copying of which was not completed until the year after the duke's death.

Similar(56)

"There is no likelyhood of my ever having any letters after my name," he said, "unless VP (very pointed)." Pugin articulated the principled revolt against the plaster and putty world of the Regency in which he had grown up, and in which his own father had painted "perspectives", or artist's impressions, for John Nash, the great architectural showman of the age.

Drawing and painting offer perspectives on what perspective even means.

To duplicate the painting's perspective, the foreground figures are taller.

The scene is set in the playground of a school, which is made to look like a town in an early Renaissance painting where perspective is charmingly distorted.

Even the painting's perspective, which she describes as vertiginous, conjures up the feeling of a scene shot by a camera soaring high on a crane.

In Bailey's book, "Las Meninas" gets a chapter to itself, which is wonderfully written but ignores an analysis of the painting's perspective, advanced by the late Leo Steinberg, that complicates an already staggeringly complex composition: A centered distant mirror faces head on, but shows a reflection of the King and Queen, thereby anointing the viewers as royals.

Mathematicians had done all they could think of with shapes, and along the way provided the basis for everything from engineering to perspective painting.

A Renaissance man in every sense, Piero was also a gifted mathematician, whose calculations can be felt in the painting's crisp perspective.

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