Sentence examples for paint approach from inspiring English sources

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To overcome the limitations of state-of-the-art robotizes painting systems that are economically not viable at small lot sizes, the Flexpaint project (2000-2002) has developed a new "what you see is what you paint" approach.

This chapter presents an extension of the "what you see is what you paint" approach by means of dynamic vision and three-dimensional object recognition that is able to complement missing data of scanned parts by use of computer-aided design (CAD) information of recognized and localized parts.

To distinguish the background look from Beavis & Butt-Head, art director Karen Hydendahl came up with a clean cel paint approach.

The PAINT approach of constructing an explicit model of functional evolution, guided by a human curator, and using it to infer the functions of uncharacterized genes has some advantages over existing, fully automated sequence-based algorithms.

Once you've decided on your paint approach, acquire a brush suitable for the pattern you want to paint, or consider a paint pen.

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The advertisement, produced by the Chinese company Shanghai Leishang Cosmetics, features a young black man smeared with paint approaching an attractive Chinese woman, grinning and winking, only to have her pop a laundry-detergent pod into his mouth and then shove him into a washing machine.

He likes to use repeated logos, no stencils: "I like the freehand, grab-a-tin-of-spray-paint approach".

As Ms. Eyerman details in her catalog essay, when, in 1949, Courbet's work was given its first American museum exhibition, it was hailed as a precedent for the paint-as-paint approach of Jackson Pollock by the art critic Clement Greenberg, who was Pollock's chief advocate.

The extensive agreement between ancestral genome reconstructions based respectively upon comparative chromosome painting and E-painting is strongly supportive of the validity of the E-painting approach.

Genotyping error, gene conversion, mis-assembly and segregating deletions might all confuse the simple painting approach used and, because so many of the inferences are critically dependent on the age of the hybridisation event, it is important to be robust to any technical problems.

As "The Joy of Painting" approaches its 20th anniversary in 2002, Ross's legacy lives on.

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