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Within pages of opening "If It's Not One Thing, It's Your Mother" by Julia Sweeney (familiar to me, and many, as a former star of "Saturday Night Live" and the creator of the one-woman show and memoir "God Said Ha!"), I felt like I'd made a new friend — a funny, wry, so-cool-she-doesn't-care-about-being-cool fellow parent with a voice I loved.
It contained over 300 pages of opening analysis, and almost 100 pages of endgame analysis.
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On the first page of "Open," he declares that he hates the sport.
Equally hard-won self-knowledge irradiates almost every page of "Open," thanks in great part to Agassi's inspired choice of collaborator, J. R. Moehringer, author of the memoir "The Tender Bar," with its melody of remembered voices.
The first few pages of "Open City" are intensely Sebaldian, with something of his sly faux antiquarianism.
His drawings and paintings are mounted on the pages of open books, and depict dramatic interiors lit by giant light wells.
The first two hundred pages of Open were good enough to make me want to keep reading but then Agassi's constant self-justifying, whining, and moaning began to grate on my nerves.
(One YouTube user even helpfully posted a video of the Facebook page, and filmed the process of opening all the links on the page).
"Pages of Gold" opens with a dazzling Celotti montage in its original gilt frame, in which a miniature of Pope Clement VII is surrounded by medallions and classical decoration taken from four other sections of the book.
But even without the fanciness of the large machines, the Book Save should still get the job done with the ability to capture both pages of an opened book at one page-a-minute rate.
[Excerpt: twenty pages of Croak (opens as PDF)].
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com