Sentence examples for page proportion from inspiring English sources

The resulting inside margin is one-half of the outside margin, and of proportions 2 3 4 6 (inner:top:outer:bottom) when the page proportion is 2 3 (more generally 1 R 2 2R for page proportion 1 R ).

Tschichold writes "For purposes of better comparison I have based his figure on a page proportion of 2 3, which Van de Graaf does not use".

The image with circular arcs depicts the proportions in a medieval manuscript, that according to Tschichold feature a "Page proportion 2 3.

Tschichold says that common ratios for page proportion used in book design include as 2 3, 1:√3, and the golden section.

Building on Rosarivo's work, contemporary experts in book design such as Jan Tschichold and Richard Hendel assert as well that the page proportion of the golden section (21 34) has been used in book design, in manuscripts, and incunabula, mostly in those produced between 1550 and 1770.

Similarly, one of the criticisms of page proportions is that it disregards the difference in page margin, font size, and numbers of photos and graphics in annual reports.

The page proportions vary, but most commonly used is the 2 3 proportion.

Of the different page proportions that such a canon can be applied to, he says "Book pages come in many proportions, i.e., relationships between width and height.

These page proportions based on the golden section or golden ratio, are usually described through its convergents such as 2 3, 5 8, and 21 34.

The canons of page construction are a set of principles in the field of book design used to describe the ways that page proportions, margins and type areas (print spaces) of books are constructed.

Tschichold also expresses a preference for certain ratios over others: "The geometrically definable irrational page proportions like 1 1.618 (Golden Section), 1:√2, 1:√3, 1:√5, 1 1.538, and the simple rational proportions of 1 2, 2 3, 5 8 and 5 9 I call clear, intentional and definite.