Most of our narratives are socially constituted.
Our narratives are grisly, the stakes impossibly high.
"Our narratives are the same: a character is misanthropic, falls for somebody and starts to melt.
A lot of our narratives suggest people deprived of their civil liberties or sense of direction.
What became obvious among the bomb blasts today is how weak our narratives of terrorism are.
Our Narratives of Displacement and Resistance project is an attempt to address this.
Still, though, we root for redemption, and want our narratives to have clean, happy endings.
Our narratives, ourselves: science reveals how we create a sense of self through the stories we tell.
As such, it is the setting du jour for our narratives of romance, longing, adventure and intrigue.
Memory and art are on one side, as ways in which we shape our narratives, and reality is on the other, stubborn and inflexible.
Still, the underlying intrigue is of a subtle kind, focusing on the way each of us — including Weston — frames and distorts our narratives.
