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I hope every one continues to celebrate Black History Month 2016 as we enter our final week and remembers that all this beauty can be woven into the fabric of our beings throughout the year.
Dancers are artists first and foremost, so when presented with an emotional ballet, it forces us to dig deep into our beings and discover parts of ourselves that can often be dark and surprising.
In the face of questions that challenge us to examine the very core of our beings and the meanings of our lives, it can be easier to find comfort in our usual patterns and ways of thinking.
We didn't change our bodies or our beings, so all this stuff kept happening.
These are the things that shape our lives and settle into the fiber of our beings.
How do they see us? Where, in the ontology of the ecosystem, do our beings stop and theirs begin?
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We are in control of our health, our well-being, our mental state, our marriage, our children.
But our highest being, our truest being, our most God-like being, is beautiful and accepting, ennobling and welcoming.
Much of Being and Time develops an existential interpretation of our modes of being including, famously, our being-toward-death.
Thrift was not inimical to our being; it was the very essence of our being.
So how and why did it evolve to be such an inseparable part of our being?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com