I descended upon Nashville's Summer NAMM conference/trade show with high hopes of finding a plethora of musically oriented gadgets to ease and augment the playing experience for ostensible and pro musicians alike.
Ryle and in effect Wittgenstein toyed with the attractive but quite implausible notion that ostensible reports of immediate experience are not really reports but are 'avowals', as if my report that I have toothache is just a sophisticated sort of wince.
And of course, synchronicity hasn't been a better alternative since the '60s – because that posits a system or a structure that would accommodate ostensible differences in reading experiences across time (space too).
What Scott praises is, in effect, granola cinema, abstemious films that are made to look good for you but are no less sweetened than mass-market products, that cut off a wide range of aesthetic possibilities and experiences on ostensible grounds of virtue.
(The story also features the phrase "Ain't this a blip!," which Collins used in a similar way in "Losing Ground," to assert the force of black-American experience against the ostensible neutrality of white-toned academic culture).
If both are constitutively linguistic, language serves as a medium of experience that binds the ostensible "subject" and "object" in a more profound, perhaps mystical, relationship of underlying kinship.
Previous research has demonstrated the effects of ostensible subtle energy on physical systems and subjective experience.
Inadequately vetted policies and rushed, sloppy statements like this one have undermined a core aspect of Trump's ostensible appeal as a candidate ― that his experience managing a family real estate empire would translate into effective management of the federal government.
This article argues that, despite these states' ostensible similarities, their different political structures fostered contrasting experiences with an ascendant political Islam.
It's a humanist cinema that constructs an ostensible humanism through the elimination of most of human experience.
When we look at the late works of Titian or Rembrandt we cannot help feeling the pressure of a massive and rich experience which leaks out, as it were, through the ostensible image presented to us, whatever it may be.
