Color can make an ordinary presentation seem much slicker and more interesting.
Out-of-the-ordinary presentations recently reported, here listed for puzzled shoppers.
Although the show was attended by the usual cohort of magazine editors, professional buyers, and fashionable celebrities such as rappers A$AP Ferg and Angel Haze, it was no ordinary NYFW presentation.
Although the show was attended by the usual cohort of magazine editors, professional buyers, and fashionable celebrities such rappers A$AP Ferg and Angel Haze, it was no ordinary NYFW presentation.
The Bettakultcha phenomenon started with about a few dozen people crowding into a cold and draughty Temple Works for a fresh new cultural event based on ordinary people doing presentations on their passions and interest.
The presentation of ordinary Japanese as the helpless victims they were makes no particular case against American postwar designs.
But by their loving presentation, these ordinary scenes take on the glow of the extraordinary; they gently persuade the reader to see babies, and perhaps even child-rearing, in a newly appreciative way.
That is, a perceptual experience involves, in its very character, the presentation of ordinary mind-independent objects to a subject precisely because it is a matter of perceptual representation of ordinary aspects of the environment.
In veridical and illusory experiences, the character of experience is a presentation of ordinary objects, and is immediately responsive to the character of such objects because such objects are literally involved in the experience, part constitutive of its character.
On the non-minimal sense-datum theory, perceptual experiences are presentations not of ordinary objects, but of sense-data, and the character of experience, though dependent on its objects, is thus dependent upon non-ordinary objects.
We understand this more precisely as follows: Openness: Perceptual experience, in its character, involves the presentation (as) of ordinary mind-independent objects to a subject, and such objects are experienced as present or there such that the character of experience is immediately responsive to the character of its objects.
