Sentence examples for order of architecture from inspiring English sources

Exact(6)

What links: 9 Pelagos; The Family of Man; Figure for Landscape; Two Forms (Divided Circle)? 10 Two Pauline epistles; São Paulo football team; order of architecture?

The massive and simple Doric order of architecture earned its name from its origin in the Doric-populated cities of the southern Aegean.

Its portico is an instance, unique in Europe at its date of construction, of the use of the primitive Tuscan order of architecture.

Order, also called order of architecture, any of several styles of classical or Neoclassical architecture that are defined by the particular type of column and entablature they use as a basic unit.

The rectangles lead to an arbor of chestnut trees whose branches have been trimmed to accentuate the lines, with nature mimicking the order of architecture.

Like the Colosseum, the three façades have a different order of architecture on each floor: Doric on the ground level, then Ionic on the piano nobile and finishing with Corinthian on the upper floor, the style of the building thus becoming progressively more ornate as it rises.

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Building Jerusalem: The Rise and Fall of the Victorian City by Tristram Hunt 432pp, Weidenfeld, £25 Sewers have made at least as great a contribution to civilisation as the classical orders of architecture.

He maintained an interest in the visual arts throughout his life; this plea in defence of the classical orders of architecture appeared some time after his literary success began.

This provided an opportunity for the expression of proportion and pattern, an expression that eventually took the form of the invention or evolution of the stone "orders" of architecture.

I was in Paris at the weekend and walking around the parts of the Louvre built at a similar period to St Paul's, and I noticed the cleanliness of the lines, the orders of architecture managing to speak and express themselves against masses of stonework.

Other firms approached Delano & Aldrich's grasp of traditional Anglo-American styles in the service of the New York upper classes, but none seem to have been unconventional enough to mix the classical orders of architecture with a modern imagination in ways that tinkered with ancient precedents to introduce whimsey into million-dollar budgets.

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