Sentence examples for orchestration of all from inspiring English sources

Exact(3)

These ideas necessitated the careful orchestration of all elements of production.

"What I like about this work," says McDaniel, "is the orchestration of all the different parts, from the permits to the rock trucks.

A great trailer is a perfect orchestration of all the elements mentioned earlier and originality helps a trailer stand out.

Similar(56)

The London Philharmonic Orchestra has just released "The Greatest Video Game Music" featuring full orchestrations of all of your favorite themes including Super Mario Brothers, the Legend of Zelda, and Halo.

From Judy's dazzling Ray Aghayan gowns, to her classic bouffant hairdo, to her Star Is Born boy cut, the brilliant Nelson Riddle/Mort Lindsey orchestrations but most important of all, separating fact from fiction, and what the audience gets is a happy Judy Garland.

This kind of orchestration happened all across the city.

This Figure reinforces the notion of orchestration by spammers: all honeypots have a well-defined range of SpamBands that attacked them each day, and the increase and decrease in the number of SpamBands in that interval suggests an orchestration in order to obfuscate the action of groups of spammers.

In discussing this work, Tchaikovsky compared it to the only other Rimsky-Korsakov piece he had heard so far, the First Symphony, mentioning "its charming orchestration... its structural novelty, and most of all... the freshness of its purely Russian harmonic turns... immediately [showing] Mr. Rimsky-Korsakov to be a remarkable symphonic talent".

His music has always had great appeal for the general public in virtue of its tuneful, open-hearted melodies, impressive harmonies, and colourful, picturesque orchestration, all of which evoke a profound emotional response.

Compare such do-it-yourself terror with the months-long orchestration of 9/11, flight training and all, by Mohammad Atta and his 17 henchmen.

One, "Double Feature," by the musical-comedy director/choreographer Susan Stroman, was good, or the first part of it was: a Cinderella story based on silent-movie tearjerkers, set to an orchestration of Irving Berlin songs, and demonstrating all of Stroman's happy mastery of old theatrical conventions.

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