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Like many Central European orchestras, it has maintained a sound of its own, distinct from the homogeneous international standard.
When working with student orchestras, it has never been Mr. Masur's way to expect anything less than full commitment and high quality.
It has already proved it can't afford the eight orchestras it was trying to maintain; the Berliner Symphoniker, the smallest of them, is about to be dissolved.
Unlike many American orchestras, it has not had a drop in ticket sales or subscriptions, and posts a $500,000 surplus on a budget of $1.2 million.
For all his success at galvanizing choruses and orchestras, it is always gratifying to hear Mr. Tritle play the organ in a recital, the solo activity at the core of his artistry.
With the rise of independent wind parts after about 1770, the continuo became redundant and was abandoned; in outdoor music and in huge orchestras it had become inaudible anyway.
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When it finds its way into the orchestra, it often functions as a jazzy outsider, an ambassador of pop.
This is an orchestra, it must be remembered, that has been renowned for its warm string tone.
When people hear an orchestra it moves them.
Viewed as a statewide orchestra, it had no principal home.
Philly's orchestra — and, my God, what an orchestra it is — isn't out of the woods yet.
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CEO of Professional Science Editing for Scientists @ prosciediting.com