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The orchestra builds, builds and builds until the listener is sky high without a parachute, then all of a sudden it ends, thumping you back to reality and desperate for more.
The orchestra builds, Lady Gaga begins to sing, and she is killing it.
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And so sometimes the orchestra built even bigger structures on the originals.
Her devotion to educating young musicians and also supporting Mannes' Community Orchestra built on her ardor for music's power to inspire creativity.
During the 1950's and 60's the Louisville Orchestra built up a now historic archive of recordings of works by American composers.
One example, the Hanert Electrical Orchestra, built in 1944 45 by John Hanert at the Hammond Instrument Co. in Chicago, consisted of a roomful of electronic tone-generating equipment controlled by an elaborate, motor-driven scanner.
Yes, Abbado should play the rest of the symphony too, but hearing him and this orchestra build up the nine-note dissonance at the climax of the Adagio was simultaneously terrifying and seductive.
Those origins may not always be obvious, particularly when you walk into the museum's collection of mechanical instruments and watch the 27-foot-wide Decap mechanical jazz orchestra (built in the 1930s in Antwerp, Belgium) play two saxophones, two accordions, a xylophone and a drum kit as it reads signals off reams of programmed, punctured paper.
During the piece's most extreme moments, when the orchestra built to some anxious, gratingly dissonant, wailing outburst, many in the audience might have been puzzled by the composer's comment in the program notes that, over all, he considers this fitful piece to be contemplative.
These instrumental tracks–arranged for a chamber orchestra built around a core of violin, clarinet, alto sax, cornet, trombone and baritone sax provide the musical meat of this recording.
In the '70s, the orchestra built a special program at the Bowl around "Star Wars" that was widely copied around the world for years.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com