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The evening's strength, however, was the crisp, resilient playing of the period orchestra, bringing the lilting dance music to colorful life.
This year, the Proms are examining all four symphonies, and the promise of the Budapest Festival Orchestra bringing the third and fourth (Prom 53) made their concert one of the hot ticket events of the season.
The celebrated Argentine-Israeli maestro — who has held posts on several continents, maintained a virtuoso piano career, written and lectured widely, and led the remarkable West-Eastern Divan Orchestra, bringing together Israeli and Arab players — spoke aloud the prosaic paradox that so often puzzles newcomers: the conductor is the center of attention, yet he makes no sound.
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The orchestra brought elegance and affection to this frothy piece.
The London Symphony Orchestra brought him in to breathe new life into its interpretation of Beethoven.
Under Mr. Botstein, the orchestra brought clear, light textures to the variegated score.
The chorus and orchestra brought fitting exuberance to the Gloria and quiet intensity to the haunting "Et incarnatus est".
The orchestra brought dusky, rich and full-bodied sound to a spacious, majestic account of the piece.
He and the American Symphony Orchestra bring it to Carnegie with a talented, youthful cast and the Collegiate Chorale Singers.
The following afternoon, Mr. Barenboim and the orchestra brought their journey to an end with the first and last symphonies.
And the orchestra brings a native relationship to other forms of modernism, like music of the Second Viennese School.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com