On the stage, a similar, traditional sense of an ancient, oral voice sounds in the libretto or plot: Tchaikovsky's Swan Lake, Bartók and Balász's Bluebeard's Castle, Dvořák's mermaid opera Rusalka, or a Ballets Russes production such as The Firebird, proclaim their roots in unauthored folklore, although they are in themselves unique and original works.
Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas.
By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers.
Taking an approach like that of journalists and oral historians, Voice of Witness does not pay its narrators for their story.
Some countries had 'very much an oral, … voice culture' [Group-2 participant-1] and therefore 'probably verbal consent would be enough and that was us bringing English values into it' [Group-2 participant-1].
That report revealed the full extent to which forcible removals occurred in Australia over a century, and Hosch listened to the oral submissions, voices she would remember a decade later on the day Rudd apologised to the stolen generations.
This presentation's title references Gayatri Spivak's classic essay, "Can the Subaltern Speak?" because the tendency to silence oral historians' voices, and to some degree, to dismiss oral history methodology itself, stems from power-infused understandings of what makes authentic knowledge, historical objectivity, and narrative authority.
In this session we will be looking at different ways the oral historian's voice can act as guide in nonfiction narratives based on oral histories.
This might just set a new dawn of politeness and courtesy from council members toward members of the public who come to speak at oral communications to voice their concerns.
The VMPAC assessment highlighted significant oromotor difficulties for the ZDHHC9 group in comparison to XLID controls, affecting oral control, sequencing, voice characteristics and connected speech (main effect of group F1,10 = 8.3, P = 0.016, group × subscale interaction F1,10 = 0.17, P = 0.92).
In this section, we consider the training routes and professional recognition of ENT and audiology specialties across Europe and the US in order to contextualize some of our findings, Otorhinolaryngology represents an established area of health care for disorders of the head and neck, including hearing, balance, sinus, nose, voice, oral cavity, sleep, allergy, and head and neck tumors.
