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Ernest Priestley Seattle, May 30, 2010 To the Editor: Your article about "so" leaves out a modern influence in the resurrection of the word as an opening salvo in a sentence: Seamus Heaney's popular translation of "Beowulf," which opens with that one word.
Parallel Stories opens with that classic gambit of crime fiction: a body is found.
Watching that footage, you think: 'That could have been me.'" The film opens with that same footage.
The first of these, The Virgin in the Garden, opens with that glittering and sensuous 1960s party set in the National Portrait Gallery.
Sunday Too Far Away opens with that quintessential Australian image: a bright sun blazing in front of a yellow sky above a panorama of red dirt.
It opens with that scene of noise and confusion, balloons and feedback expiring, intercut with shots of the crew breaking down the stage while the band hugs and talks.
Similar(50)
It opened with that album's title track, hitched to a slippery variant of swing.
After two passes and at favorable vulnerability, what would you open with that West hand?
South opened with that bid, a slight stretch based on the solidity of his suit, and probably regretted his enterprise when he saw the dummy.
As we grilled beef and liver kebabs and drank cold beers (which we opened with that Leatherman multitool), I wondered what could have inspired such generosity on everyone's part.
Intel opened with that goofy guy from "Evolution of Dance," which wasn't very encouraging.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com