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Thus, tremulous, pensive opener We Played Some Open Chords, while doing exactly what it says on the proverbial tin, sounds like a particularly brooding Harold Budd étude sporadically weighted with Gavin Bryars-like orchestral gravitas, the latter tonalities warding off the chocolate boxy prettiness to which O'Halloran's solo works are occasionally prone.
The opener, for example, is We Played Some Open Chords and Rejoiced, for the Earth Had Circled the Sun Yet Another Year.
His songs, full of ringing open chords and vague lyrics, are earnest and self-dramatizing.
Songwriters fingerpicked the ragtimey blues, strummed big open chords, or used the country twang.
They're making love, while a pianist's right hand tinkles – progressive, descending open chords.
From guitars come open chords in strange tunings, scraping against the key; from keyboards come mellow polytonal clusters.
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The young men were the founders of a start-up, Open Chord.
It has no frets and is typically tuned to an open chord.
"Nothing says amen quite like the sound of Pops strumming a deep, tremolo-heavy open chord," Guitar World observed a few years ago.
I doubt that Open Chord or the other start-up would be able to develop much expertise in any of these areas in the short run.
"A very loose taped-up tremolo arm on a Fender Jazzmaster, open chording and a few effects," is as far as he will be drawn.
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