Sentence examples for ones which capture from inspiring English sources

As expected, the middle exposures are the ones which capture most of the information and the others are over-/under-exposed.

As described in the Experiments section below, ChER utilises a comprehensive set of character and word n-grams as well as orthographic features, which were then augmented with ones which capture chemical knowledge, e.g., number of chemical basic segments, dictionary and chemical symbol matches.

After World War II, Edgerton created his most technically impressive photographs – ones which captured the very first stages of an atomic explosion.

But he did fly over it, leading to the photograph above taken from Air Force One, which captures a startling image of just how exposed the community truly is.

Dear Thief is written in the same key as the song – a minor and melancholic one, which captures a heady, elegiac combination of eroticism and loss, loathing and rapture, the messy complexity of a spurned woman's emotional landscape.

Colless says he does not like the term "civil union" as it is too clinical and suggests supporters look through latin phrases to find an appropriate one which captures the loving commitment two people are making.

We also expand the analysis with two different extensions of the basic feedback model: one with a transduction step in the moderator and one which captures nonlinear phenomena (triggering mechanisms) caused by different drug input rates.

In the final part, a rate-dependent cohesive zone model is proposed, one which captures the measured behaviour and which has the potential to be used in industrial applications.

Not just any run-of-the-mill tennis live text but one which captured the moment Roger Federer won his 100th ATP singles title.

And although the current cast was rushed back into filming another season before this one, which captures Teresa Giudice's financial disaster, has even finished airing, Manzo tells me it might be the last for more than one of the housewives.

All four of the principals have large and expressive ones, which Aronofsky captures with many closeups in which the gaze is frozen and often fixed on an object or a person beyond the edge of the screen.