Sentence examples for ones the real from inspiring English sources

"But exactly with these minor compromises start the big and dangerous ones, the real problems.

By Ariel Levy Single women, Gilbert says, are more successful in their careers than married ones; the real benefits of marriage go to men.

In an interview with the Times, Václav Havel, the former Czech dissident and President, said of Obama, "With these minor compromises start the big and dangerous ones, the real problems".

In an interview with the Times, Václav Havel, the former Czech dissident and President, said of Obama, "With these minor compromises start the big and dangerous ones, the real problems.'' Lodi Gyari, the Dalai Lama's special envoy and lead contact with the U.S. government, says the criticism of Obama was unwarranted: "The decision not to do the meeting beforehand was absolutely mutual".

He warned, however, that this may have been a battle the government was prepared to lose ahead of more difficult ones: "The real issues here are future issues – houses elsewhere that need to be demolished, including all of the Amona outpost and nine buildings in Ofra".

In an interview with the Times, Václav Havel, the former Czech dissident and President, said of Obama, "With these minor compromises start the big and dangerous ones, the real problems.'' The Dalai Lama walking to his office, guarded by Indian soldiers.

The Breadman's rules are somewhat exaggerated versions of the ones the real-life Breadman insisted upon — there really was a clipboard, and you really had to go to a tchotchke shop at a weird time of the week.

The Breadman's rules are somewhat exaggerated versions of the ones the real-life Breadman insisted upon there really was a clipboard, and you really had to go to a tchotchke shop at a weird time of the week.

Eddie and Gwen are shown in scenes from a sports weepie called "Requiem for an Outfielder" and a courtroom melodrama called "The Bench," and it has clearly taken a great deal of effort on the part of the screenwriters, Billy Crystal and Peter Tolan, and the director, Joe Roth, to make these pictures look even more ridiculous than the ones the real-life studios churn out.

What emerges is one reality (the real one) colliding with another (the official one).

It's the superficial Mingus, the flashy one, not the real one".