For example, a scene can look very different when one removes one's glasses: one's visual experience of the churchyard then becomes hazy and blurred.
For instance, in seeing a snow covered churchyard for what it is, one has a visual experience, and is visually aware of a snow covered churchyard.
For example, when one has a visual experience as of a red object, it may be that one is really seeing an object and its red colour (veridical perception), that one is seeing a green object (illusion), or that one is not seeing an object at all (hallucination).
For instance, if one has a visual experience representing a red cube, the contents of experience on this view would be a set of possible worlds in which there really is a red cube in front of you.
For instance, if one has a visual experience representing a red cube, the contents of experience on this view would be the structured proposition containing the object one sees that looks like a red cube and the property of being a red cube.
The idea is that one has a conscious visual experience of red, or a conscious pain sensation, just when one has such a red sensory quality, or pain-quality, and the thought (itself also potentially non-conscious) occurs to one that one has a red sensory quality, or pain-quality.
A common misconception is that each electrode in the grid can be thought of as a 'pixel' in an image; to generate a complex visual experience, one then simply needs to turn on the right combination of pixels.
The issue is which of these properties can be perceived as being instantiated: e.g., whether one can have a visual experience that represents that someone is trying to do something.
Some such integrations are relatively local as when diverse features detected within a single sense modality are combined into a representation of external objects bearing those features, e.g. when one has a conscious visual experience of a moving red soup can passing above a green striped napkin (Triesman and Gelade 1980).
"The show is designed to invite and welcome the viewer into the space as one singular yet immersive visual experience.
