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A 1955 poster for a concert featuring music by Igor Stravinsky, Wolfgang Fortner, and Alban Berg demonstrates these properties, along with Müller-Brockmann Müller-Brockmanning one typeface in two sizes (display and text) makes the message clear and accessible to the audience.
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This exploratory work demonstrates that the selection of one typeface design utilised in vehicle systems over another resulted in a 10.6% reduction in visual demand, measured as total glance time across two studies in a menu selection task in male participants.
A daring poem has more force if it's printed in one typeface, not seven.
Instead of one typeface, B's book-reader programs give you a choice of many.
In principle only one typeface of variables is needed.
Typeface mechanics: 001 Tobias Frere-Jones | 11 February 2015 First in a promised series on typeface design that has the makings of a masterclass.
Even if you use a fresh typeface for a set of master slides, everybody contributing to the deck might not have that typeface installed; unless the typeface in question is one of those defaults, the likely result will be mismatched, sloppy text.
This typeface ushered in the new era in which, for the first time, the typographic book was more common than the manuscript one.
The most legible typeface under study ("MT YingHei") could be read 33.1% faster than the least legible typeface in this glance-induced context.
Take the Guardian's Egyptian typeface, designed by Schwartz with Paul Barnes, or Schwartz's new Farnham typeface in the art magazine Frieze.
Nonetheless, Teitelbaum explained: "We try to match the typeface with the typeface in the book so going to the actual books will be a smooth transition.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com