It's a decidedly throwback sensation, if not quite the one-to-one evocation of the pontoon fenders of '60s sports racers.
But aesthetics matter less than narratives in the 18 paintings on display here, each one an evocation of a past erased.
It is the one major evocation of the original World Trade Center that remains on site, and the only place where I feel the sadness, hope and civic righteousness that the new World Trade Center ought to inspire.
Miche Braden is Bessie Smith, and "The Devil's Music," on stage at George Street Playhouse in New Brunswick, is Ms. Braden's one-woman evocation, in song and stream-of-consciousness monologue, of the singer's life and loves.
(His capture has the pathos as well as the iconography of the binding of Gulliver by the Lilliputians in Dave Fleischer's 1939 animated feature. Lowery doesn't burden the film with a wide range of cinematic references, but the other conspicuous one is the evocation of François Truffaut's 1970 historical drama "The Wild Child").
The song is sweet and gentle, at least by the snarling standards of Mr. Reed's earlier days, a grateful evocation of one couple's simple shared pleasures on a weekend afternoon.
Kandinsky's evocation is one of the few instances of abstraction here.
It is not a sumptuous visual style, but it is an effective one, particularly in its evocation of the way in which a child sees the world.
Modern, too, are the expressionist portrait of Lee, who appears to be chattering away, and a lovely impressionist evocation of one of Sargent's touchstones, Monet, characteristically painting outside, sur le motif.
Yet there is a whole range of smaller pieces that are deftly, incisively handled, including "The Beautiful One" (1962), an engaging evocation of a teenage girl with braided hair.
