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But perhaps more significantly, it joins the hallowed group of movie one-handers: films where we only see one actor on screen for the overwhelming majority of the running time.
The acceptance of social remittances also reflects the domination of one actor on the other (see Levitt, 2001).
Unequal exchanges, such as remittance transactions, "contribute to and reinforce honor, prestige, and authority" of one actor on the other, Eckstein points out (2010, p. 1651).
But what they used to do that in "Gravity" was to use a technology that is very tried and trusted and infuriatingly frustrating because you'vve got one actor on four wires and you say, "Bring him in".
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In a primetime landscape that seems increasingly interested in allowing one actor to perform multiple roles on the same show, "Fringe" has been in the vanguard of perfecting that technology and character development.
One actor stood on the bed and handed crates to another.
Their interchangeability was underlined during a silent tableau before the first scene, when an actor dressed as Shakespeare arbitrarily placed a crown on one actor rather than the other.
There are just so many layers of complexity in terms of the period, the evolution of the background, that once you give up the idea of five or six people playing this one person, and you can kind of focus on one actor – that's what made it work for me.
The result is a heavy-footed film that barely gets by on one actor's charm, animated by some patently bogus-looking special effects.
Closeness centrality focuses on how close one actor is to other actors on average, measured along geodesics.
She denies that Rani, her current heroine, is based on any one actor: "Let's put it this way, there is a pattern to Bollywood and it follows its own sort of logic".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com