If you're averagely filmy, you can count off its genres on your fingers: documentary (the drone pilots talking to camera), docudrama (likewise), flashback (the stories of one man losing his pants and another hijacking a train), home video (the vacationing family setting out in a car, to be incinerated by a Hellcat missile), zombie horror movie (ditto), Groundhog Day (idem).
When I go on dates, men ask, "What is your documentary on?" I tell them, "Okay, so there are three characters," and of course I always mention Laura and the surgery.
Mr. Kimmelman tells him, "Your documentary on some level is going to be a lie," meaning that it will be a necessarily partial and constructed representation of the truth.
In the short, a rapid-fire account of each museum's iconic shape and date of completion offers the briefest of art-venue histories, like moving through a "best-of" round-up during a commercial break from your documentary on Picasso.
Take your documentary on the road.
Who? Who is your documentary going to focus on.
Currently working on a documentary.
I clicked on a documentary called Illusionati.
Timothy Robert Smith: "Imagine meeting your future self who is coming back to gather information for a documentary on your life, and talk to this person about how it was done.
If you think you have a top notch documentary on your hands, you should try to give it a theatrical release.
