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Kenneth Tynan was not the first person to use the F-word on television: that was either Brendan Behan on Panorama in 1956 (although no one could understand him because he was drunk) or the man who painted the railings on Stranmillis Embankment alongside the river Lagan in Belfast, who in 1959 told Ulster TV's teatime magazine programme, Roundabout, that his job was "fucking boring".
There, he worked on Panorama, Al Jazeera and Dispatches, and was one of the key team behind iraqwarlogs.com, which won the Amnesty International digital journalism award in 2011.
More on Panorama tonight.
He was interviewed by Vogue and appeared on Panorama.
And as we saw on Panorama, the effect on his victims was harrowing and seemingly unending.
Crick joined the BBC in 1990, first on Panorama, switching to Newsnight two years later.
At Good Care Guide, we believe that the poor care shown on Panorama is just the tip of the iceberg.
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That's partly because our room, decorated like a Hilton standard double, had a side view of the sea and a full-on panorama of the hotel's tar roof.
He then curated two exhibitions on panorama-related subjects: Gilded Scenes and Shining Prospects, at the Yale Center for British Art, in New Haven, Connecticut, in 1985; and the seminal Panoramania!, at the Barbican Art Gallery, 1988-1989, a big event that helped to raise international interest in this "mass medium" of the 19th century.
During the years I spent writing my own book on panoramas, he helped me in countless ways, broadening my perspectives and helping me to avoid embarrassing mistakes.
Several of the early works center on panoramas and topographical studies, with artists gazing around at a continent still relatively new to European eyes.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com