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For a long time I didn't dare to take on fiction.
Pastiche scenarios draw on fiction as a resource to explore the interior 'felt-life' aspects of user experience and the complex social and cultural issues raised by technological innovations.
We shall take note of some other Meinongians later in the section on fictional objects, as their focus is primarily on fiction.
Your brain on fiction.
I catch up on fiction.
Margaret Atwood on fiction writers and dreams.
What effect has poverty on fiction?
What is The New Yorker's policy on fiction submissions?
Also: Naomi Wolf on fiction for young adults.
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This has led revisionist historians and philosophers to suggest that science is a kind of scam — a socially agreed-on fiction no more empirically grounded than any other socially agreed-on fiction, a faith like any other (as the defenders of faiths like any other like to say).
Not these blogs, but full-on fiction book titles.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com