Sentence examples for older incarnation from inspiring English sources

At its best, it's a sublimely unsparing dissection of a mid-life crisis, with Gerwig's gawky lounge singer updating the Diane Keaton of Annie Hall, and Stiller as an older incarnation of Dustin Hoffman in The Graduate.

Swedish writer Fredrik Colting's 60 Years Later: Coming Through the Rye sees a 76-year-old "Mr C" flee a New York nursing home to wander the streets of New York, much as Holden Caulfield – who might have called his older incarnation a "goddam phony" – does in The Catcher in the Rye.

That expressive face, his broad shoulders and boy-next-door looks have in the past helped him land a couple of significant film roles: in "There Will Be Blood," as the older incarnation of H. W., the deaf son of the oilman Daniel Plainview (played by Daniel Day-Lewis), and, more recently, in an independent film, "The Hammer," based on the life of a deaf college wrestler.

Cromwell plays the older incarnation of a World War II soldier who never has discussed his military experience.

She suddenly realizes that the laughing man is an older incarnation of Marcus, who has come from the future to save Sal's life.

The doctor is never named — Hamm plays the older incarnation, Radcliffe the younger — and in the story's most promising and troublesome conceit, the two often interact with each other.

Mr. Winick's play flashes back and forth between the 50's and the 90's and the younger and older incarnations of Butchie and Tudie.

Abrams's reimagining of the franchise plays with this idea, and the three young actors not only do a nice job of inhabiting their older incarnations but also convey that sense of manly infatuation.

"The claustrophobic, unspoken bonds and rivalries that link Rachel, David and Stephan in their younger and older incarnations are overshadowed by Vogel and everything he represents, and a finely observed study of desire under duress gives way to a breathless and pedestrian globe-trotting thriller," A. O. Scott wrote in The Times.

"The claustrophobic, unspoken bonds and rivalries that link Rachel, David and Stephan in their younger and older incarnations are overshadowed by Vogel and everything he represents, and a finely observed study of desire under duress gives way to a breathless and pedestrian globe-trotting thriller," A. O. Scott wrote in The New York Times.

The claustrophobic, unspoken bonds and rivalries that link Rachel, David and Stephan in their younger and older incarnations are overshadowed by Vogel and everything he represents, and a finely observed study of desire under duress gives way to a breathless and pedestrian globe-trotting thriller.