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The COPO acronym stands for central office production order, a term popularized in the muscle car era to flag vehicles that could be ordered from the factory with powertrain combinations not available as regular production options.
It was a way of getting around or sending up the Hays office production code, and the writer-director Nancy Meyers, a student of film comedy noted for her participation in the remakes of Father of the Bride and The Parent Trap, has retrieved the format for a much-changed society.
The deal includes retaining The London Taxi Company head office production, the Mann & Overton dealership in London including its property, and all related dealership assets including those in Manchester and Edinburgh.
Repeated measures ANOVA models were constructed to analyze HRV indices using activity type (3 levels: sit/lie, stand, and walk) and location (3 levels: work, leisure "at home," and leisure "elsewhere") as within-subject factors and group (2 levels: pain, control) and work type (2 levels: office, production) as between-subjects factors.
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The Clear Channel operations are moving from five separate offices in Manhattan and New Jersey, and Mr. Wilson has given each station its own distinct offices, production area and color scheme within the New York headquarters.
It operates through the following business domains: Offices, Production Printing, Performance Materials Business, Optics and Sensing Business, Sensing, Healthcare Business, Industrial Inkjet Business and Planetarium Business.
During the same period the UN drugs office says production in Afghanistan almost doubled.
The screenplay arrives at the producer's office, the production manager makes a budget that says, "The forest is burning: one million".
The Goodspeed made a commitment to raise $20 million for office and production space down the street from the main theater, on a site overlooking DeKoven Drive and Route 9.
The Technology Centre's six structures offer fully equipped laboratory, office and production facilities at below-market rates suited to the needs and standards of established companies.
Since the film was not attached to any studio, Gyssling applied to the Hays Office, whose Production Code seal was vital to a film's US distribution.
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